More January Openings

As an ever intrepid art explorer, I felt it was my duty as artist, CCA alum, and blogger to see the following San Francisco Art Openings.  Most of my evening out was a CCA-a-thon, where faculty, alumni, and current students all had work displayed for us to pretend to see but where we mostly chatted it up with the rest of our CCA community.  In addition to the shows at Patricia Sweetow, Haines, and Altman Siegel, I had the opportunity to see an SFAI affiliate (gasp!) and total art hero, Josephine Taylor, at Catherine Clark with my friend Libby and my little buddy Jasper.

David Huffman "Floating World", Patricia Sweetow Gallery 

(January 5 through February 11)

My former professor, David Huffman, recently made a pretty significant shift with these mostly abstract paintings of color and glitter with appearances by one of his familiar representational narrative elements, the basketball.  Huffman has included the deep space of water media and cloud-like formations in his previous, more politically explicit work for some time, and it looks like the space has taken over the narrative in a sort of tongue-in-cheek approach to abstraction.  While the basketballs reference African American stereotypes, I missed more of the action and story-telling of his former work.  With the repetition of this series, I didn't learn or think about anything past the first painting onto the next.  They are pretty, though.

Sweetow's space is a sort of in-between level in 77 Geary, with cement floors and lots of pillars.

The paintings appeared in different color schemes, like pastel and below, blacks and browns.

You know I like glitter and washes.

Kota Ezawa, "The Curse of Dimensionality" and Taha Belal, "The Atmosphere from Before the Step Down Returns to the Square" Haines Gallery

(January 5 through February 18)

I thought this show from CCA Faculty Kota Ezawa was pretty great, but it was also so crowded that I didn't get a good look at the massive amounts of work shown inside the gallery.  Kota's signature flattened cartoonish imagery was shown as animation, light screens, paintings, view boxes, and sculpture.  It almost seemed like a retrospective with the inclusion of his work from as far back as the SECA show OJ Simpson series in 2005, but I found it really inspiring that he has been able to use so many different mediums to communicate a similar theme.  

Taha Belal is a CCA MFA Alum from 2008 and a native of Egypt.  I remember his work from a few years ago of meticulously cut out newspapers, and it looks like he still uses the same techniques, but has also applied stylized patterns that the cut outs create, reminiscent of Arabian designs.  Right?  I don't really know what I am talking about.  The title of his show in the back room suggests a pretty clear message about Egypt and its political turmoil.  Belal has been staying in his country of origin, but that's really all I know.  I didn't do my homework very well and couldn't look closely at the images.

This turd with the top-not behind the counter ignored me all three times I went to get a water.    Get a grip, gallery intern, and get a new hairstyle too.

Some paintings by Ezawa, my favorite of all the mediums.

Some light boxes on the wall and the floor.

Belal's cut outs.

Group Show with Jessica Dickinson, Liam Everett, Alex Olson, Josh Smith, and Garth Weiser
 Altman Siegel

(January 5 through February 25)

I am getting to the point where I don't care who reads what I say.  The people at Altman Siegel seem really stuck up.  There, I said it.   I hate going in there- they never look up and say hello, they serve beer at their openings, and then there was the incident last summer where the asinine artist Chris Johanson asked my friends and I to leave his show because we were talking amongst ourselves during his bad-on-purpose band performance to go with his bad-on-purpose art.  All that being said, I do really like CCA grad student, Liam Everett's, artwork so I went to the stuck up palace anyway.

The same crowd moving with me from gallery to gallery.

I kind of liked this piece by Alex Olson.

Goopy.

Something weird was taking place over and over again in front of this beautiful piece by Liam made with acrylic,  salt, and alcohol.  It made a great backdrop for people to take pictures of themselves, so people kept posing in front of it, instead of taking pictures of the piece itself.  I have never seen this phenomenon with an emerging artist's painting, and I thought it was really disrespectful.

So, of course, my buddies David and Chrissie, and I had to mock what everyone else was doing.

Josephine Taylor, Catherine Clark Gallery

(January 7 through February 11)

As I mentioned, I am a big fan of Josephine Taylor's work, and have been following her beautiful large-scale ink drawings since I saw her at both the 2005 SECA show at the SF MoMA and the Bay Area Now show at the YBCA the same year.  Not many people, at least whom I have come across, make large, airy, realistic, psychological work on big expanses of white paper.  What can I say, she had me at "white paper".  In juxtaposition with her detailed and soft technique is the heavy imagery of very disturbing things.  It's amazing to have met her and know she's a very well-adjusted and lovely person, who must get a lot of things out through her art.  One more thing to like about art- it makes for great therapy.

Her pieces were mostly very large images with figures battling each other.

I really liked her choices of filling in some colors and not all.  It gave those areas more importance, and gave visual punctuations to the grotesque stories- like the balls and toenail.

The fight scene really made scary by the body language of the feet.

The Fall Art Season Is Here! (Grab your calendars and protein bars)

Art's Baaacck!  As it always goes, fall school terms starting up again means the Bay Area art world, (along with all your favorite cheesy shows like Gossip Girl, and the wonderful thing called the "Back-to-School" sale), is awakened from it's not-so-warm San Francisco summer nap.  In August I longed for something to see once I was back from vacation, while everyone important, (i.e. collectors), were still off in whatever rich land they frolic during the summer months.  Well, we're all here now, and my job at art school will start getting mighty full and messy and loud with the students back in it, but thankfully, art is back, too.

I don't even know how I would possibly go to all the events coming up, but here is a list of things I would/could/should do, just like I did last year, so we can compare score cards at the end.

Starting Thursday, September 8, the scene comes alive with a ton of stuff to see and do within a 3 hour time frame.  It's First Thursday, which means something sometimes, like when there are shows worth going to in 49 Geary.  (Every First Thursday there is an agreed-upon smattering of openings within the walls of 49 and 77 Geary.  Lately, though, it seems galleries are changing up the opening dates, and the ones who stick to the First Thursday tend to be stuck on old-fashioned art, as well).

Jonathan Wallraven: "Smile to Your Life" 

Kokoro Studio, 682 Geary Street, San Francisco

Opening 7-10 pm through September 29

Jonathan Wallraven, a current CCA MFA grad student, is sure to take sneering, hilarious digs at almost everyone with his large scale line drawings and text.  Ala Raymond Pettibon, Wallraven seems to find the perfect thing you never expected his figures to say.  His drawings always remind me of the high school drones who were doomed to peak at age eighteen, while the rest of us just kept dreaming of life beyond those four years of hell.  It takes a lot to drag me down Geary into the seedy Tenderloin, but this might be one reason to do it.

"Some Paintings, Sculpture, & Drawings" 

Patricia Sweetow Gallery, 77 Geary Street 

Mezzanine level, San Francisco

Opening 5:30-7:30 pm through October 15

Patricia Sweetow often shows some great artists from her roster, and here is a chance to see, well, some paintings, sculpture, and drawings from them.  I'm looking forward to work by glitter queen, Jamie Vasta, haunting (usually photo) work from Suné Woods, and abstract "Afro-Futurism" from CCA Professor, David Huffman.  

Yoon Lee: "Minor Inconveniences" 

Marx and Zavattero, 77 Geary Street 
2nd floor, San Francisco

Opening 5:30-7:30 pm through October 22

I have grown quite fond of Marx and Zavattero, as a gallery and as a couple, so I would probably go to most of their openings in any case.  If you add in a pack of talented artists who bridge craft with a pop aesthetic, you have a pretty solid case to visit their gallery, celebrating its tenth year in business.  Yoon Lee, a Korean-born, SFAI MFA graduate, won the Tournesol Prize at Headlands Center for the Arts, making her resume pretty impressive.  I am unsure whether I am into her work, however.  It brings to mind Chris Finley's swooping, exquisite, digitally manipulated images reproduced in paint so much that I am left wondering whether these works say anything new.  However, the fact that I am unsure about them is the greatest reason to go see them in person.

"Idyll", Wirtz Gallery, 49 Geary Street 
3rd floor, San Francisco

Opening 5:30-7:30 pm through September 30

This group photography show at Wirtz Gallery brings together the best of their well-known photographers, including the late Larry Sultan, as well as Todd Hido and Jim Goldberg, among other talented artists.  

"Media Love: A Group Exhibition", Unspeakable Projects

735 Tehama Street, San Francisco

Opening 6-9 pm through September 29

I don't know much about Unspeakable Projects, other than that I have posted about a few shows in the past I wanted to see there, but never quite made it.  Word has it that the space is one of those gallery-in-the-apartment thingees, but they seem to show work by artists that grab me somehow, including buddies Matt Momchilov and Justin Limoges.  Here's a chance to see those artists plus my good friend, Mark Benson, featured above, as well as Mik Gaspay and AMTK.  The show's press release says, " From obscure sit-com moments to cults of immortality, MEDIA LOVE assembles the artifacts and detritus of a media culture that won’t let go."  That sounds like a recipe for love or hate.

"Residency Projects II", Kala Art Institute

2990 San Pablo Avenue, Berkeley, 

Opening 6-8 pm through October 15

Whew!  Are you tired yet?  Wait, there's one more opening that would certainly be worth attending!  Kala's print-based institution offers competitive residencies and "Residency Projects II" is a culmination of work from the most recent crop of artists to use their facilities and resources.  Elisheva Biernoff's super flat work, like the image above, sculptor Renee Gertler and photographer Jessica Ingram are all a strong lure to make the trek across the bridge into the East Bay.

THIS WAS JUST DAY ONE, PEOPLE!  Stay tuned for show recommendations for the rest of the week.  And as always, remember to bring comfy shoes, breath mints, and your coolest leather jacket.

Gallery Field Trip!

My class went on a field trip to a far and distant land... to the galleries up the street in downtown San Francico. Still, it's always fun to see some stuff you had been meaning to see because you know in your heart that you probably wouldn't have made it otherwise.

First we stopped by Baer Ridgway and saw Chris Duncan's show, which I posted about before last month here. However, since I only ducked in for a moment the first time, I didn't realize that there was a whole other floor downstairs with more art. Here's Kate experiencing that art.

Two doors down was Catherine Clark with a retrospective show of Masami Teraoka, an artist who has apparently been showing these East-meets-West provocative work since the late 60s.

This is a weaving.

Sweet watercolor

Mark, Jake, and Rachel are un-phased with the new work on gilded panels.

We headed over to Crown Point Press to see Mamma Anderson and Jokum Nordstrom's print show. The show was great and the nicest part was that they let us see the studios behind closed doors where the work is made painstakingly by master printers.

Mamma Anderson (?)

In the back room we saw some color tests for Chuck Close photo prints.

Amazing array of pigments!

We sauntered up to John Berggruen to see Chris Brown's solo show, who teaches at CCA.

A really nice room of oil paintings.

Upstairs was a group show with this John Baldessari piece.

Afterwards we went up to the 77 Geary building and checked out Michael Hall's solo show at Patricia Sweetow. I had my first show ever with Michael in the 2006 Bay Area Currents at the Oakland Art Gallery and after getting his MFA from Mills, his work has only gotten better. Congrats!

A painting of defunct old buildings and a concrete and grass sculpture.

One more painting of detritus and nature.